Fluid Mastering is a new term in the music industry which refers to producing audio and MIDI files in a way that the software can interpret them any time. It was created by former Townhouse studios Mastering engineers Tim Debney and Nick Watson, who have more than 30 years experience between them in mastering Music from almost every genre from classical Rock, Jazz and Folk to contemporary electronic dance, R&B and pop. Tim is originally from Birmingham, the UK and Nick is originally from Liverpool, the United Kingdom. These two men worked side by side at various recording studios and in the music industry as sound engineers, developing their skills and talents which led them to invent the term Fluid Mastering. Nick used to work mainly with the engineering side of things whilst Tim was concentrating on the programming and MIDI implementation.
Fluid Mastering is a fairly recent term in the industry, being used roughly ten years ago. Although it’s relatively new, there are already many reputable and talented people in the industry that have years of experience and training in this area. This is thanks primarily to the extensive years of expertise and training that these people have acquired. They have mastered every style from Jazz, Classical and Pop to Hip Hop, Reggae, Ska, Classic Rock, Drum & Bass and much more click.
The benefits of hiring someone with years working knowledge in this field is simple. To simply put it, you know they’ll be able to re-master your music for a range of uses and situations, ensuring the highest quality wherever possible. They’ll also be able to do so in the most cost effective and efficient way, helping you save money. Sound engineers at these popular studios will also have access to sound engineering knowledge, which means they’ll also know exactly how to integrate your ideas with other elements such as music, vocals and other instruments.
A fluid mastering career would mean that an engineer has completed a very good amount of education, although it can vary depending on the studio you hire. If you’re looking for a more hands-on approach, some sound engineers will complete a degree. For others, it might be a combination of education and experience that allow them to fully develop their creativity and abilities. It’s important to understand that every type of engineer works differently, so it’s a good idea to ask for examples of their work and talk to people within the studios about what it is they prefer.
The next benefit of hiring a Fluid Mastering Engineer would be the fact that they have access to libraries full of sounds that can help them create the perfect mix and master. There are thousands of resources, both online and off, where engineers can get any sounds they need for their projects. This goes for anything from drum samples, to fully mastered rock or blues. If you want to make a professional looking video, there’s no better way than to use the right music. YouTube and other video sharing sites are a great source for researching any kind of music This Site.
Finally, a mastering studio might offer packages that include everything from a microphone setup to a set of headphones. Some might include everything, while others only offer some of these items. If you’ve been using traditional methods of mastering, but want something that is more convenient, and creative, try a service like this to see if it’s right for you. Some companies do everything from record custom CDs to providing custom headphones for their customers.